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ABSTRACT
Music has lost its role as a central part of many people's everyday action. This paper reports on the design and impact of a novel environment for remote group music improvisation with the view to understanding how we could design more engaging, social, and serendipitous musical environments. The design reported here focuses on the representation of looping music, support for remote collaboration, and support for idea formulation. Observations of use suggest that the environment developed does encourage some group music, and we identify clear areas for future design consideration.
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Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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CITED BY 9
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Evandro Manara Miletto , Luciano Vargas Flores , Marcelo Soares Pimenta , Jérôme Rutily , Leonardo Santagada, Interfaces for musical activities and interfaces for musicians are not the same: the case for codes, a web-based environment for cooperative music prototyping, Proceedings of the 9th international conference on Multimodal interfaces, November 12-15, 2007, Nagoya, Aichi, Japan
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Evandro Manara Miletto , Luciano Vargas Flores , Jérôme Rutily , Marcelo Soares Pimenta, CODES: supporting awareness in a web-based environment for collective music prototyping, Proceedings of VII Brazilian symposium on Human factors in computing systems, November 19-22, 2006, Natal, RN, Brazil
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REVIEW
"Pierre Jouvelot : Reviewer"
Music practice is often seen as a formal activity, requiring a long learning period to acquire both conceptual and instrumental skills. With the advent of new technologies that lower this access barrier, it is possible to envision a more common wa
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