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Music score alignment and computer accompaniment
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Communications of the ACM archive
Volume 49 ,  Issue 8  (August 2006) table of contents
Music information retrieval
SPECIAL ISSUE: Music information retrieval table of contents
Pages: 38 - 43  
Year of Publication: 2006
ISSN:0001-0782
Authors
Roger B. Dannenberg  Carnegie Mellon University, Pittsburgh, PA
Christopher Raphael  Indiana University, Bloomington, IN
Publisher
ACM  New York, NY, USA
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Downloads (6 Weeks): 19,   Downloads (12 Months): 575,   Citation Count: 1
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APPENDICES and SUPPLEMENTS
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ABSTRACT

By relating musical sound to musical notation, these systems generate tireless, expressive musical accompaniment to follow and sometimes learn from a live human performance.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
Baird, B., Blevins, D., and Zahler, N. Artificial intelligence and music: Implementing an interactive computer performer. Computer Music Journal 17, 2 (Summer 1993), 73--79.
 
2
Dannenberg, R., Sanchez, M., Joseph, A., Capell, P., Joseph, R., and Saul, R. A computer-based multimedia tutor for beginning piano students. Interface Journal of New Music Research 19, 2--3 (1993), 155--173.
 
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Grubb, L. and Dannenberg, R. A stochastic method of tracking a vocal performer. In Proceedings of the 1997 International Computer Music Conference (Thessaloniki, Greece, Sept. 25--30). International Computer Music Association, San Francisco, 1997, 301--308.
 
5
Hu, N., Dannenberg, R., and Tzanetakis, G. Polyphonic audio matching and alignment for music retrieval. In Proceedings of the 2003 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (New Paltz, NY, Oct. 19--22). IEEE Computer Society Press, Piscataway, NJ, 2003, 185--188.
 
6
Loscos, A., Cano, P., and Bonada, J. Score-performance matching using hidden Markov models. In Proceedings of the 1999 International Computer Music Conference (Beijing, Oct. 22--27). International Computer Music Association, San Francisco, 1999, 441--444.
 
7
Orio, N. and Schwarz, D. Alignment of monophonic and polyphonic music to a score. In Proceedings of the 2001 International Computer Music Conference (Havana, Sept. 17--22). International Computer Music Association, San Francisco, 2001, 155--158.
 
8
Raphael, C. A hybrid graphical model for aligning polyphonic audio with musical scores. In Proceedings of the Fifth International Conference on Music Information Retrieval (Barcelona, Spain, Oct. 10--14). Audiovisual Institute Pompeu Fabra University, Barcelona, Spain, 2004, 387--394.
 
9
Raphael, C. A Bayesian network for real-time musical accompaniment. In Proceedings of Neural Information Processing Systems (NIPS) 14 (Vancouver, B.C., Dec. 3--8). MIT Press, Cambridge, MA, 2001.
 
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Schwarz, D., Cont, A., and Schnell, N. From Boulez to ballads: Training IRCAM's score follower. In Proceedings of the 2005 International Computer Music Conference (Barcelona, Spain, Sept. 5--9). International Computer Music Association, San Francisco, 2005.
 
12
Vercoe, B. The synthetic performer in the context of live performance. In Proceedings of the International Computer Music Conference 1984 (Paris, Oct. 19--23, 1984). International Computer Music Association, San Francisco, 1985, 199--200.



REVIEW

"George R. Mayforth : Reviewer"

Computers have been involved with the making of music for many years now, as exemplified by the musical instrument digital interface (MIDI). MIDI captures a musician's instrument playing, and transmits fingering and other characteristics digitally  more...

Collaborative Colleagues:
Roger B. Dannenberg: colleagues
Christopher Raphael: colleagues