ABSTRACT
We present a hand clapping interface for sonic interaction with the computer. The current implementation has been built on the Pure Data (PD) software. The interface makes use of the cyclic nature of hand clapping and recognition of the clap type, and enables interactive control over different applications. Three prototype applications for the interface are presented: a virtual crowd of clappers, controlling the tempo of music, and a simple sampler. Preliminary tests indicate that rather than having total control via the interface, the user negotiates with the computer to control the tempo.
Supplemental Material
- Abowd, G. and Mynatt, E. Charting past, present, and future research in ubiquitous computing. ACM Trans. Computer-Human Interaction 7, 1 (2000), 29--58. Google ScholarDigital Library
- Bello, J.P., Daudet, L., Abdallah, S., Duxbury, C., Davies, M., and Sandler, M.B. A tutorial on onset detection in music signals. IEEE Trans. Speech and Audio Proc. 13, 5 (2005), 1035--1047.Google ScholarCross Ref
- Brewster, S., Lumsden, J., Bell, M., Hall, M., and Tasker, S. Multimodal 'eyes-free' interaction techniques for wearable devices. In Proc. CHI 2003, ACM Press (2003), 463--480. Google ScholarDigital Library
- Buxton, B., Gaver, W., and Bly, S. Auditory Interfaces: the Use of Non-Speech Audio at the Interface. Unfinished book manuscript, available at http://www.billbuxton.com/Audio.TOC.html.Google Scholar
- Erkut, C., and Tahiroglu, K. ClaPD: A testbed for control of multiple sound sources in interactive and participatory contexts. In PureData Convention 2007. Online proc. at http://artengine.ca/~catalogue-pd.Google Scholar
- Gaver, W. What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception. Ecological Psychology 5, 1 (1993), 1--29.Google ScholarCross Ref
- Gouyon, F. and Dixon, S. A review of automatic rhythm description systems. Comp. Music J. 29, 1 (2005), 34--54. Google ScholarDigital Library
- Hanahara, K., Tada, Y., and Muroi, T. Human-robot communication by means of hand-clapping (preliminary experiment with hand-clapping language). In Proc. IEEE Intl. Conf. Systems, Man and Cybernetics, IEEE (2007), 2995--3000.Google Scholar
- Jylhä, A. and Erkut, C. Inferring the hand configuration from hand clapping sounds. In Proc. DAFx--08, (2008), 301--304.Google Scholar
- Jylhä, A. and Erkut, C. Sonic interactions with hand clap sounds. In Proc. Audio Mostly 2008, (2008), 93--100.Google Scholar
- Norman, D. The Design of Future Things. Basic Books, New York, NY, USA, 2007.Google Scholar
- Peltola, L., Erkut, C., Cook, P.R., and Välimäki, V. Synthesis of hand clapping sounds. IEEE Trans. Audio, Speech and Language Proc. 15, 3 (2007), 1021--1029. Google ScholarDigital Library
- Puckette, M. Pure data: Another integrated computer music environment. In Proc. Second Intercollege Comp. Music Concerts, (1996), 37--41.Google Scholar
- Puckette, M., Apel, T., and Zicarelli, D. Real-time audio analysis tool for Pd and MSP. In Proc. Intl. Comp. Music Conf., (1998), 109--112.Google Scholar
- Robare, P. and Forlizzi, J. Sound in computing: A short history. In interactions 16, 1 (2009), 62--65. Google ScholarDigital Library
- Seppänen, J. Computational Models of Musical Meter Recognition. Master's thesis, Tampere University of Technology, Finland, 2001.Google Scholar
- Vesa, S. and Lokki, T. An eyes-free user interface controlled by finger snaps. In Proc DAFx-05, (2005), 262--265.Google Scholar
Index Terms
- A hand clap interface for sonic interaction with the computer
Recommendations
Animal-Centred Sonic Interaction Design: Musical Instruments and Interfaces for Grey Parrots
ACI '19: Proceedings of the Sixth International Conference on Animal-Computer InteractionThis paper describes our research and the methodology used to design musical instruments and interfaces aimed at providing auditory enrichment for grey parrots living in captivity. Based on the cognitive, physiological, and acoustic abilities of grey ...
Calliope: A Co-creative Interface for Multi-Track Music Generation
C&C '22: Proceedings of the 14th Conference on Creativity and CognitionCalliope is a web application for co-creative multi-track music composition (MMM) in the symbolic domain. It is built to facilitate the use of multi-track music machine (MMM). The user can upload Musical Instrument Digital Interface (MIDI) files, ...
Sonic gems: exploring the potential of audio recording as a form of sentimental memory capture
BCS-HCI '08: Proceedings of the 22nd British HCI Group Annual Conference on People and Computers: Culture, Creativity, Interaction - Volume 1This paper presents an exploratory study exploring the potential of audio recording as a form of sentimental memory capture. Drawing on data from four family households, we spotlight participants' attitudes towards sounds and audio recording, their ...
Comments