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Accessing Tape Music Documents on Mobile Devices

Published: 21 October 2015 Publication History

Abstract

The aim of this article is to present and discuss an innovative methodology aimed at accessing digitized copies of historical tape music audio documents; the methodology leverages on the multimedia and multisensory capabilities of mobile devices to provide an unprecedented level of fruition. In addition to the methodology, and stemming from it, we present an actual software application for Android tablet devices. This novel piece of software was designed and developed in a multidisciplinary team involving engineers as well as musicians, composers, and archivists. The strongest element in our work is the fact that it follows a rigorous process and it is based on the principles of philological awareness; thus, it also takes into consideration the critical points in the musicologist's domain such as (i) the definition of preservation (i.e., master) copy, (ii) the importance of secondary information, (iii) the history of production and transmission of audio documents.

Supplementary Material

canazza (canazza.zip)
Supplemental movie, appendix, image and software files for, Accessing Tape Music Documents on Mobile Devices

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    Published In

    cover image ACM Transactions on Multimedia Computing, Communications, and Applications
    ACM Transactions on Multimedia Computing, Communications, and Applications  Volume 12, Issue 1s
    Special Issue on Smartphone-Based Interactive Technologies, Systems, and Applications and Special Issue on Extended Best Papers from ACM Multimedia 2014
    October 2015
    317 pages
    ISSN:1551-6857
    EISSN:1551-6865
    DOI:10.1145/2837676
    Issue’s Table of Contents
    Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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    New York, NY, United States

    Publication History

    Published: 21 October 2015
    Accepted: 01 June 2015
    Revised: 01 April 2015
    Received: 01 December 2014
    Published in TOMM Volume 12, Issue 1s

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    Author Tags

    1. Design
    2. audio archives
    3. audio document preservation and access
    4. mobile computing

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    • Veneto Region (Italy) under program FSE

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    • (2022)Gesture, Music and Computer: The Centro di Sonologia Computazionale at Padova University, a 50-Year HistorySensors10.3390/s2209346522:9(3465)Online publication date: 2-May-2022
    • (2022)The Magnetic Urtext: Restoration as Music InterpretationFrontiers in Psychology10.3389/fpsyg.2022.84400913Online publication date: 20-Apr-2022
    • (2021)Reading Tapes Backwards: A Legitimate Approach to Saving Time and Money in Digitization Projects?Applied Sciences10.3390/app1115709211:15(7092)Online publication date: 31-Jul-2021
    • (2021)Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia ComputazionaleComputer Music Journal10.1162/comj_a_0053743:4(58-80)Online publication date: 25-Feb-2021
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    • (2018)Stay True to the Sound of History: Philology, Phylogenetics and Information Engineering in MusicologyApplied Sciences10.3390/app80202268:2(226)Online publication date: 1-Feb-2018
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