Yu-Chuan Tseng
ABSTRACT
Artists try to represent existence and indicate the meaning of presence by a variety of practices. However, when a figure is created by bits and composes hypereal information, the existence information has become fragments of fake existence. Presence has become a form of absence. Absence has become a form of presence. The work 'Immersing ME' is an interactive art work inviting participants to perceive the process of dissolving from presence to absence.
- Sokolowski, Robert. Introduction to phenomenology. (Chinese edition). Psygarden Publishing Company. Taipei. 2004. pp. 35--42.Google Scholar
- Baudrillard, Jean. La guerre du Golfe n'a pas eu lieu. (Chinese edition). Rye Field Publications. Taipei. 2003. pp. 74--105Google Scholar
- Virilio, Paul. The Aesthetics of Disappearance. (English edition). Semiotext(e). 1991. p.52.Google Scholar
Index Terms
- Immersing ME: the disappearing digitized presence
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