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Robot-human interaction with an anthropomorphic percussionist

Published: 22 April 2006 Publication History

Abstract

The paper presents our approach for human-machine interaction with an anthropomorphic mechanical percussionist that can listen to live players, analyze perceptual musical aspects in real-time, and use the product of this analysis to play along in a collaborative manner. Our robot, named Haile, is designed to combine the benefits of computational power, perceptual modeling, and algorithmic music with the richness, visual interactivity, and expression of acoustic playing. We believe that when interacting with live players, Haile can facilitate a musical experience that is not possible by any other means, inspiring users to collaborate with it in novel and expressive manners. Haile can, therefore, serve a test-bed for novel forms of musical human-machine interaction, bringing perceptual aspects of computer music into the physical world both visually and acoustically.

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cover image ACM Conferences
CHI '06: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
April 2006
1353 pages
ISBN:1595933727
DOI:10.1145/1124772
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Publication History

Published: 22 April 2006

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Author Tags

  1. collaborative systems
  2. human-robot interaction
  3. music

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CHI06
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CHI06: CHI 2006 Conference on Human Factors in Computing Systems
April 22 - 27, 2006
Québec, Montréal, Canada

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Overall Acceptance Rate 6,199 of 26,314 submissions, 24%

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Cited By

View all
  • (2025)The Beatbots: A Musician-Informed Multi-Robot Percussion QuartetProceedings of the 2025 ACM/IEEE International Conference on Human-Robot Interaction10.5555/3721488.3721501(65-74)Online publication date: 4-Mar-2025
  • (2024)Music, body, and machine: gesture-based synchronization in human-robot musical interactionFrontiers in Robotics and AI10.3389/frobt.2024.146161511Online publication date: 5-Dec-2024
  • (2024)Fostering children’s creativity through LLM-driven storytelling with a social robotFrontiers in Robotics and AI10.3389/frobt.2024.145742911Online publication date: 13-Dec-2024
  • (2022)A survey on the design and evolution of social robots — Past, present and futureRobotics and Autonomous Systems10.1016/j.robot.2022.104193156:COnline publication date: 1-Oct-2022
  • (2022)Human, I wrote a song for youComputers in Human Behavior10.1016/j.chb.2022.107239131:COnline publication date: 1-Jun-2022
  • (2021)Computers as Social Actors? Examining How Users Perceive and Interact with Virtual Influencers on Social Media2021 15th International Conference on Ubiquitous Information Management and Communication (IMCOM)10.1109/IMCOM51814.2021.9377397(1-6)Online publication date: 4-Jan-2021
  • (2020)An audiovisual interface-based drumming system for multimodal human–robot interactionJournal on Multimodal User Interfaces10.1007/s12193-020-00352-w15:4(413-428)Online publication date: 13-Nov-2020
  • (2020)“Wear it”—Wearable Robotic MusiciansRobotic Musicianship10.1007/978-3-030-38930-7_7(213-254)Online publication date: 8-Feb-2020
  • (2019)Evaluating the Promise of Human-Algorithm Collaborations in Everyday Work PracticesProceedings of the ACM on Human-Computer Interaction10.1145/33592453:CSCW(1-23)Online publication date: 7-Nov-2019
  • (2018)Extending Human–Robot Relationships Based in Music With Virtual PresenceIEEE Transactions on Cognitive and Developmental Systems10.1109/TCDS.2017.277921810:4(955-960)Online publication date: Dec-2018
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